A regular readers the blog and be familiar with my tendency to compare the books to objects and / or feelings. Every book I read in my soul inspires reading ... a metaphor - more or less colorful and complex. Today I wanted to present the outline of the second part 1Q84 Haruki Murakami, a novel essential and brittle, a literary adventure multidimensional and dangerous. I wanted to talk about his appearance metaphor. It will be a dual review - you will be guided by my idea of \u200b\u200bthe plot to move to the perception of art laboratory of Murakami.
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1Q84 I think and I can not get head nor body the feeling of walking through a narrow tunnel. During the first reading 1Q84 was part of small steps, I ran into the adventure, my hungry eyes feeling his way, felt the coldness of the walls, he feared the dark and did not want to get away from the entrance. Slowly progressed, I introduced into the story. When I went to the second part of the trilogy 1Q84 was already used to the gray scale of the book, walked down the tunnel safer, knew the distance between the walls, not bumped or tripped, I made friends I have and Aomame, Tamaru was my guardian. I concentrated on the argument, I devoured the environment. At one point I lost the feeling, I took off the feet of soil - and it was me who walked through the tunnel, the tunnel was in on me. The book opened a gap on me to reach the deepest layer. He seized my imagination and sensitivity. In this invasion, accompanied by a delicate sense of disorientation to the tunnel are reassembled and gave me the light, flashed on the vision of a way out. Towards
here we go, the players and me.
Can we find the exit in the third part of 1Q84?
I must admit that until now I found a literary work that might have this power over me - total impregnation. Careful, do not know when and the book you suck. Just one day I will go and sleep in 2011 and the other you wake up looking at the sky 1Q84.
- art -
Haruki Murakami's technique goes beyond art, is multidisciplinary. In the 1Q84 saga reaffirmed what I already knew before: this author has a special gift - he photograph the plot that manages ... words . His camera captures the ideas and literary stories to translate them into snapshots. Japanese writer uses double exposure, negative overlaps several stories - the bokeh makes night scenes - with actors focuses his pen to dilute their silhouettes the environment ... I added a soundtrack to this series carefully selected Photo-berth-rays. Thanks to his good eye and pen gets better results than most incredible and amazing. He is a master of portrait of a woman - the beautiful illustrated, sensual and complex, but with ears uncovered. Male narrative makes interesting - with a gourmet touch and sports. Tuerce suavidad y alisa rugosidades. Balancea el libro, le da una ligereza a los diálogos, pero siempre con granulado bien visible – para mostrarnos los trazos de leer entre líneas y de buscarle otra lectura a lo más obvio. Es un artista que posee una técnica magistral - daría mucho por poder visitar algún día su laboratorio.
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Cierro la tapa del libro. Cierro los ojos, veo los héroes y las heroínas en escenas llenas de expresión, twisted by a grimace of surrealism. Half-smile and rinse the tears, I have not dismissed me and Aomame, and within me. I made my allies, the claim and treasured. Be there to care for my chrysalis that publishers bring us the third part of 1Q84. Sigh
countless times.
[Delight]
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